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バッハを中心としてコレッリからブラームスまでの器楽様式を対象とした自由対位法を、実作品からの抜粋を多く含む譜例３３５例を挙げ、明快に記述。旋律、和声はもちろん、リズムの問題にも多くの紙面を割いていることが特色。
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