Distant Corner : Seattle Architects and the Legacy of H. H. Richardson

On the afternoon of 6 June 1889, a fire in a cabinet shop in downtown Seattle spread to destroy more than thirty downtown blocks covering 116 acres. Disaster soon became opportunity as Seattle’s citizens turned their full energies to rebuilding: widening and regrading streets, laying new water pipes and sewer lines, promulgating a new building ordinance requiring construction in the commercial core, and creating a new professional fire department. A remarkable number of buildings, most located in Seattle’s present-day Pioneer Square Historic District, were permitted within a few months and constructed within a few years of the Great Seattle Fire. As a result, the post-fire rebuilding of Seattle offers an extraordinarily focused case study of late-nineteenth-century American urban architecture. Seattle’s architects, seeking design solutions that would meet the new requirements, most often found them in the Romanesque Revival mode of the country’s most famous architect, Henry Hobson Richardson. In October 1889, Elmer Fisher, Seattle's most prolific post-fire architect, specifically cited the example of H. H. Richardson in describing the city's new buildings. In contrast to Victorian Gothic, Second Empire, and other mid-nineteenth-century architectural styles, Richardson’s Romanesque Revival vocabulary of relatively unadorned stone and brick with round-arched openings conveyed strength and stability without elaborate decorative treatment. For Seattle’s fire-conscious architects it offered a clear architectural system that could be applied to a variety of building types - including office blocks, warehouses, and hotels - and ensure a safer, progressive, and more visually coherent metropolitan center. Distant Corner examines the brief but powerful influence of H. H. Richardson on the building of America’s cities, and his specific influence on the architects charged with rebuilding the post-fire city of Seattle. Chapters on the pre-fire city and its architecture, the tech