Taken from Africa into slavery by the Portuguese, kidnapped by the British Navy and held captive aboard ship during the French wars of the 1790s before being abandoned in Falmouth, the stranger-than-fiction story of Joseph Emidy deserves telling in its own right. What makes it more remarkable is that Emidy — a violinist and composer — became a prominent figure in the musical scene in Cornwall for the remaining thirty years of his life. This account sets his life against the musical activities of the assemblies, harmonic societies, theatre, church and chapel. By producing comic operas and introducing novelty acts professional theatre companies offered musical entertainment as an integral part of their activities, amateur orchestras flourished, and militia bands became a regular feature of the life of several communities. There were even attempts to create a regular pattern of tours by national and international figures, especially the stars of Italian opera and the London stage. Through the installation of organs and by the work of locally-based composers the Anglican church sought to raise standards of music in services. The richly varied pattern of local activity is illustrated by accounts in local newspapers, as well as by personal memoirs; many of the anecdotes are amusing and always enlightening in the view they offer of a provincial society at a time of great and hitherto unsuspected activity and change.
Taken from Africa into slavery by the Portuguese, kidnapped by the British Navy and held captive aboard ship during the French wars of the 1790s before being abandoned in Falmouth, the story of Joseph Emidy deserves telling in its own right. Emidy became a prominent figure in the musical scene in Cornwall for his remaining years.
