Arriving to the pastoral happens repeatedly and full of worry in The Clearing. For the pastoral stands for the fields of the Holocaust, of the imagination, of the Midwest, of the body, and even the empty field of the blank page. In the absence of knowing how to properly bury our inheritances of the 20th century, Hiton turns to fictive spectacle— to narrative invention, sensory desires, and malleable landscapes— as a last gesture toward hope. As the intellectual ambitions and fears ramp up, the urgency of the body (and the refusal to look at it) does too.
