New Research on the Philosophy of Nicolai Hartmann (2016. XIII, 341 S. 230 mm)

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The imposing scope and penetrating insights of German philosopher Nicolai Hartmann's work have received renewed interest in recent years. The Neo-Kantian turned ontological realist established a philosophical approach unique among his peers, and it provides a wealth of resources for considering contemporary philosophical problems. The chapters included in this volume examine his ethics, ontology, aesthetics, philosophy of mind, and philosophy of nature. They explore his ontology of values, autonomy and human enhancement, and law; his theory of levels of reality, space-time and geometry, the categories of temporality, causality, and "life," the question of realism, and social ontology. Others take inspiration from his aesthetic theory, ideas about education, and his embrace of the Socratic pathos of wonder. They bring his philosophy into conversation with that of his contemporaries, including Roman Ingarden and Konrad Lorenz's appropriation of Hartmann, as well as with the history of philosophy, including Plato's theory of recollection, pre-Socratic philosophy, and that of his Russian teacher Nikolai Lossky. Those familiar with Hartmann's wide-ranging systematic philosophy will benefit from these new engagements with his work, and those new to it will find them relevant to a number of current philosophical debates.

The imposing scope and penetrating insights of German philosopher Nicolai Hartmann's work have received renewed interest in recent years. The Neo-Kantian turned ontological realist established a philosophical approach unique among his peers, and it provides a wealth of resources for considering contemporary philosophical problems. The chapters included in this volume examine his ethics, ontology, aesthetics, philosophy of mind, and philosophy of nature. They explore his ontology of values, autonomy and human enhancement, and law; his theory of levels of reality, space-time and geometry, the categories of temporality, causality, and "life," the question of realism, and social ontology. Others take inspiration from his aesthetic theory, ideas about education, and his embrace of the Socratic pathos of wonder. They bring his philosophy into conversation with that of his contemporaries, including Roman Ingarden and Konrad Lorenz's appropriation of Hartmann, as well as with the history of philosophy, including Plato's theory of recollection, pre-Socratic philosophy, and that of his Russian teacher Nikolai Lossky. Those familiar with Hartmann's wide-ranging systematic philosophy will benefit from these new engagements with his work, and those new to it will find them relevant to a number of current philosophical debates.

Keith Peterson, Colby College, Waterville, ME, USA, and Roberto Poli, University of Trento, Italy.

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