The book consists of nine chapters devoted to representations of melancholia in 19th-century art and literature. The book not only provides a survey of images and modes of behaviour of 19th-century individuals, but also discusses the meanings of melancholia as they appeared in European culture over time.
This book consists of nine chapters devoted to representations of melancholia in 19th-century art and literature. A noteworthy feature of the book is its use of concepts from later works by Sigmund Freud, Jean Clair, Jean Starobinski, Julia Kristeva and others. Those concepts elucidate further contexts of the notion of melancholia, which are presented not in isolation but juxtaposed with the philosophical background of the concept (starting from Hippocrates and Aristotle). Thus, the book not only provides a survey of images and modes of behaviour of 19th-century individuals, but also discusses the meanings of melancholia as they appeared in European culture over time.
Melancholia - 19th-century art and literature - Images and modes of behaviour - Rousseau - Chateaubriand - Senancour - Amiel - Macpherson - Turner - Mallarmé - Madame de Staël - Delacroix - Flaubert - Baudelaire - Balzac - Hasenclever
Piotr Sniedziewski is Assistant Professor in the Department of Romanticism of the Polish Studies Institute at the Adam Mickiewicz University in Poznan. He has authored Mallarmé - Norwid. Le silence et la modernité poétique en France et en Pologne, published in Poland (2008) and France (2009), Melancholijne spojrzenie (2011) and Elegijna swiadomosc romantyków (2015). He is Editor-in-Chief of «Poznanskie Studia Polonistyczne. Seria Literacka».
