This volume presents critical appraisals of Medieval drama, particularly in regard to structure and technique, and the appreciation of theatrical qualities. The selection reflects the marked changes in approaches to pre-Renaissance drama, influenced by new perceptions among both scholars and stage-interpreters.
This volume presents critical appraisals of Medieval drama, particularly in regard to structure and technique, and the appreciation of theatrical qualities. The selection reflects the marked changes in approaches to pre-Renaissance drama, influenced by new perceptions among both scholars and stage-interpreters.
