An original approach to four mainstream texts for the study of American literature and the novel in general. It examines the strangely equivocal nature of the vision with which each of them ends, with the central protagonists illogically clinging to their own transcendent image of selfhood.
An original approach to four mainstream texts for the study of American literature and the novel in general. It examines the strangely equivocal nature of the vision with which each of them ends, with the central protagonists illogically clinging to their own transcendent image of selfhood.
