A Black man in an army uniform stands his ground atop Tulsa’s Standpipe Hill, bearing witness to the destruction and desecration of Tulsa’s Greenwood District – but other forces, both friendly and hostile, conspire to remove him. A play in conversation with Tulsa, Oklahoma’s 1921 race massacre, The High Ground offers a complex portrait of what it means to root, to resist and to proceed from devastation.
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