Georgia Douglas Johnson (1877–1966) was the most prolific female writer of the Harlem Renaissance. Born as Georgia Blanche Douglas Camp in 1877 in Atlanta, Georgia, Johnson devoted much of her artistic imagination to indexing African American women’s interior life and advancing the means through which to achieve interracial cooperation. After a Thousand Tears represents the only extant poetry collection that Johnson authored between 1928 and 1962, and it illustrates her more nuanced and transgressive prescription for gender, racial, and national advancement. Although scholars have critically examined Johnson’s four previously published collections of poetry (The Heart of a Woman [1918], Bronze [1922], An Autumn Love Cycle [1928], and Share My World [1962]), they have never engaged After a Thousand Tears. Jimmy Worthy II located the unpublished work while conducting archival research at Emory University’s Stuart A. Rose Manuscript, Archives, and Rare Book Library. Worthy discovered that while Johnson intended to publish Tears with Padma Publications of Bombay in 1947, the project never came to fruition. Published now, for the first time, this volume features eighty-one poems that offer Johnson’s intimate and forthright sensibility toward African American women’s lived experiences during and following the Harlem Renaissance.
Georgia Douglas Johnson, the most prolific female writer of the Harlem Renaissance, devoted much of her artistic imagination to indexing African American women’s interior life and advancing the means through which to achieve interracial cooperation. This volume is the only extant poetry collection that Johnson authored between 1928 and 1962.
