Hungarian Art : Confrontation and Revival in the Modern Movement

Insightful essays and rarely-seen images tracing, from birth to maturation, several generations of Hungarian modernism, from the avant-garde to neo-avant-garde. This wide-ranging collection by Eva Forgacs, a leading scholar of Modernism, corrects long-standing misconceptions about Hungarian art while examining the social milieu and work of dozens of important Hungarian artists, including Laszlo Moholy-Nagy and Lajos Kassak. This book paints a fascinating image of twentieth-century Budapest as a microcosm of the social and political turmoil raging across twentieth-century Europe. Eva Forgacs is a brilliant guide to the history of modern and contemporary art in Hungary. These essays--whether appraising the achievements of Modern Movement heroes like Laszlo Moholy-Nagy or excavating the overlooked practices of neo-avant-garde artists of the 1970s and 1980s--combine deep understanding of modern art with a critical perspective on the many myths which have been attached to it. Hungarian modernism now seems far more vivid. --David Crowley, Royal College of Art The leading English-speaking expert on Hungarian art from the avant-garde of the pre-World War I years to the present, Forgacs is as astute in confronting Hungarian politics and the nation's cultural development as she is at elucidating the nature of the artworks themselves. A dazzling intellectual performance. -- Marjorie Perloff, author of Wittgenstein's Ladder and The Vienna Paradox Eva Forgacs has a remarkable ability to condense her cosmopolitan breadth of scholarship into admirably coherent, easily comprehensible writing...We come away with the feeling that our time has been well spent indeed. Her publications exemplify art history at its best. --Hattula Moholy-Nagy Forgacs' essays are shafts of light illuminating a complex terrain which is not only located at the center of Europe but, given the seismic political shifts that have occurred there, central to the history that defined the 20th century. --J. Hoberma