The Monumental is an interdisciplinary collection of original, cutting-edge contributions by international researchers pursuing the epistemology and ontology of monuments over time and geography. The contributors are specialists in geography, architectural theory and history, prehistoric, Greek and Roman archaeology, modern art, Byzantine studies, landscape theory, and heritage reception. Against the global climate of flux and uncertainty in the present turbulent world, the durability of monuments as “urban permanences” emerges as one of the few remaining spatial and mental anchorages. As such it is needed, maintained, enhanced, imitated, landscaped, and even invented. In particular, the monumental, a spatial and aesthetic phenomenon of perpetual importance, has recently acquired major new meanings. It now emerges as a key political, spatial, aesthetic, symbolic, architectural, and archaeological manifestation or entity, open to constantly new, even contradictory forms and expressions. This collection addresses the urgent need for relevant research on the monumental. It breaks new ground by posing fresh questions on the ontology, temporality, purpose, politics, scale, place, contestations, and aesthetics of and around the monumental, from prehistoric time to the present, as well as in both Eastern and Western geographies. Monuments are explored as bearers of the urban majestic, extraordinary and sublime. The Monumental poses questions about changing perceptions, the evocative power of representation, identity construction, ideology and symbolism, the vital necessity for a communicative and active public space around monuments, imitation processes across geographical space-time, as well as the powers that construct, deconstruct, or identify the monumental but also the anti-monumental as such. Geographies of reference are the European space, the United States, and Asia. Wide-ranging theorizations alternate with in-depth analyses of paradigmatic cases. Conventional as
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