Through a detailed analysis of some of the key films from 1956 to the present, this wide-ranging book is both a celebration of British cinema and a critical study of the country's rich yet chequered cultural heritage. It includes a special focus on race, gender and class as well as an appreciation of the unique contribution of the country's independent directors. A close examination of the Folk Horror revival and 'wyrd cinema' illustrates how aspects of the past have a key impact on modern day concerns. Overall, this nuanced yet wholly accessible work shows the ways in which films provide valuable mirror visions of society to reflect and even, in some instances, shape Britain's national identity. The result is a portrait of a nation still in thrall to its imperialistic past struggling to contend with contemporary pressures which threaten to undermine many of its core beliefs, values and traditions.
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