Written specifically with the student in mind and focusing on a number of well-known texts, including Les Liaisons Dangereuses, Nicholas Nickleby, Nice Work and The Color Purple, the contributions in this book demonstrate how we can look critically at literary adaptations and learn to distinguish between mythical images and the reality of the process that constructed them. They argue that adaptations should not be seen as secondary or marginal, because through them we can enter into an exciting debate with the literary text itself. Originally published in 1993.
This book demonstrates how we can look critically at adaptations of literary texts for screen, stage and television. The contributors argue that adaptations should not be seen as secondary or marginal, because through them we can enter into an exciting debate with the literary text itself.
The texts discussed include: Brideshead Revisited, The Color Purple, Dracula, Les Liaisons Dangereuses, Nice Work, Nicholas Nickleby, The Playmaker, Women in Love and Wuthering Heights.
