This collection of essays featuring contributions from eminent Swedish and American Strindberg scholars addresses the question of how Strindberg's art collides and colludes, ideologically and aesthetically, with the literary doyens of the nineteenth and twentieth centuries in both the Scandinavian and the larger Western cultural context.
Featuring contributions from eminent Swedish and American Strindberg scholars, this collection of essays addresses the question of how Strindberg's art collides and colludes, ideologically and aesthetically, with the literary doyens of the nineteenth and twentieth centuries in both the Scandinavian and the larger Western cultural context.
