For over five decades, the Newcastle-based Amber Film and Photography Collective has been a critical (if often unheralded) force within British documentary filmmaking, producing a variety of innovative works focused on Left politics and working-class society. Situating their acclaimed output within wider social, political, and historical contexts, In Fading Light provides an accessible introduction to Amber's output in both national and transnational perspectives, including experimental, low-budget documentaries in the 1970s; more prominent feature films in the 1980s; studies of post-industrial life in the 1990s; and the distinctive perils and opportunities posed by the digital era.
The Amber Film collective has been part of the British and European documentary scene since the late 1960s. Situating the work within wider social, political and historical contexts, In Fading Light interrogates how their critically acclaimed body of work relates to other filmmakers in Britain and Europe.
