This collection traces new directions in the study of Thomas Moore (1779–1852) and examines the multiple facets of his complex identity, not only as the foremost Irish poet of his time, but also as a lyricist, satirist, polemicist, patriot and journalist. The range of contributors is interdisciplinary and international, and includes leading scholars of literature, music, history and digital humanities. The essays collected here present a new assessment of Moore’s career and reflect on the future directions for Moore scholars enabled by digital resources and methodologies. They highlight Moore’s far-reaching influence on nineteenth-century European Romanticism, his formative participation in Whig political discourse and his central role in the construction of Irish identity from the nineteenth to the twenty-first centuries.
This collection traces new directions in the study of Thomas Moore (1779–1852) and examines the multiple facets of his complex identity, not only as the foremost Irish poet of his time, but also as a lyricist, satirist, polemicist, patriot and journalist. The contributors are leading scholars of literature, music, history and digital humanities.
