From Mythos to Logos : Andrea Palladio, Freemasonry, and the Triumph of Minerva (Brill's Studies in Intellectual History / Brill's Studies on Art, Art History, and Intellectual History)

Michael T. Coughlin theorizes the possibility of interpreting art and architectural form as an index for Logos in Early Modern Italy, while simultaneously proposing a theory about the origin of Freemasonry from a historical perspective.