Indian Dance is not what it was. The classical dances of the subcontinent have undergone fission, have been deconstructed and have become part of a contemporary dance idiom. Some of the most innovative work has taken place because of interaction with Western dancers or because it was conceived in a Western and/or global context. Thus the British experience-the work and contribution of Indian dance practitioners based in Britain and working primarily in a British/European context-have been very important for the new development of Indian dance.
This work examines the British experience, the work and contribution of Indian dance practioners based in Britain working primarily in a British/European context and how these factors have contributed to the development of Indian dance.
